圣战骑士

大一english composition作业lol: If Elizabeth Emery has watched A Knight’s Tale, she would probably included that movie as an example of the term spectacular medievalism she mentioned in Medievalism and the Middle Ages. Using the most popular rock song We Will Rock You in the beginning which created a strong sense of anachronism, it seems that the movie director has already set his mind to enhance this paradox throughout the film and, by integrating a series of obvious tropes of medievalism and,however, a modern spirit together, made this movie to “entertain the audience” as Emery defined spectacular medievalism.Rural scenery creating the sense of traditional agricultural life, people wearing cloak wondering around castles, soldiers with helm helmet armor guarding with spear, bishop scolding the William “disgrace the house of God”under the grandiose dome of church, the director built up the time-context by details ranging from the patterns on clothes to the characters appearing on each scene. Each of it exactly matches what the audience usually expect for “Medieval”. The most noted trope the director introduced should be the the huge and long-lasting difference between nobles and peasants, of different classes, which actually built up the basis of the story–as Williams described the noble life with “glory and richness none of us has been dreamed of ” and thus eagerly asked for a change. Furthermore, by bringing the audience to a unfamiliar activity, jostling, of certain time period, the movie even extended itself into the field of living medievalism as Emery mentioned.Actually this pattern of consuming “Medievalism”–first to arise resonance to audience by meeting their expectation and commonsense, then to arise their curiosity by telling them something they’re not familiar with–has been working throughout times from academic research to entertainment, since Medievalism, as Emery defined, is a self-referential term that its multi-layered nature always asked people to build their sensation upon prior representations and at the same time looking forward to discover the further unknown.Though being good at representing a medieval context, the movie director may not be willing to stick his story entirely with a medieval spirit, which may not be easy for modern audience to understand and enjoy. The prevailed funny modern pop music really brings strong anachronism in A Knight’s Tale. And details, like the scene when Jocelyn played with bishop’s finger and then praised his ring “that was lovely”, Geoffrey Chaucer ran nakedly, all those disrespect of authority and social judge make people doubt their credibility. However, the biggest doubt should be hidden behind the core story–whether a peasant really had a chance to change his star? or was there any possibility of changing one’s star so that the chance could really make people to dream about and then even try to achieve it just like William’s father did? Why these questions were being asked is because what William and his father did actually implied a strong modern spirit of changing one’s own fate, one’s written class, by endeavor, by bravely challenging old tradition. Like William once doubted “how did the nobles became nobles at first? they took it at the tip of the sword. A man can changed his star. and I won’t stay in this life.” Probably just as what Toswell commented on Credo, the Knight’s Tale just transplanted a modern figure into a earlier medieval context “but surrounded by carefully crafted details and historically accurate material.”Medievalism, as Toswell suggested, may not have the chance to demonstrate the “real Middle Ages”. People, like the movie director, just chose one of the version he wanted to interpretate, whether creative medievalism or living medievalism, and by adding tropes he favored of that era combined with his modern story to create a new mixture, which neither is the true historical story about Middle Ages nor is a fully modern context narratives.

影片本身没得可说。

可是，这个男主角，我硬是没有认出来他就是那个死掉的断背山男主角。

传说中现代的马龙白兰度，只有28个年头的寿数。

算一算演这部片子的时候，他只有二十岁。

每个年轻人都几乎不相信自己会老，会死。

但是世事永远无题。

比较真实的是，他的卑微出身被揭穿时，行将遭到拘捕。

他的贵族恋人来劝他逃走，并要与他一起走。

他说，你愿意住在茅草屋，冬天和猪住在一起为防止它们冻死？

女孩平静的流下两行泪说：我愿意睡在猪圈里。

他说：别说你不了解的事。

他留下了。

因为如果他带她走，就是把爱情带往死巷，那一刻，他头脑很明白。

If I can ask God one thingIt would be to stop the moon.Stop the moon and make this night and your beautiful last forever!

吸引导演的，也吸引着我们。

这一切示现，由内心交融成一场联欢。

我们不过是想有所会意。

核心的东西，因观看的真诚，嵌入生之底层。

这就值得人们奋力开凿的苦工了。

哪怕就为几句话，几个表情，某人死可瞑目了。

去见他久别的生父。

去死。

去生。

核心的东西，因观看的真诚，嵌入生之底层。

这就值得人们奋力开凿的苦工了。

哪怕就为几句话，几个表情，某人死可瞑目了。

这一切示现，由内心交融成一场联欢。

我们不过是想有所会意。

吸引导演的，也吸引着我们。

（未完）

金羊毛型电影。

一个普通人追求目标，最终赢得事业与爱情的成功。

演员很多大腕，表演到位。

目标明确，情节轻松，但高潮制造得不错：特别是通过闪回在最后增加了张力。

一个完成事业与完成亲情两个目标的重合。

不足之处，故事有些拖沓，张力不够。

主角与反角的冲突不够。

如果非要2个时也没问题，增加一些场景让故事张力更大。

就写我最喜欢的电影吧 骑士传奇 还有译成 骑士传说、圣战骑士、骑士风云录等等的昨天又看了一遍 从讯雷上下载的高清版概括一下是会让我从头微笑到尾的片子百度帮我简单介绍下剧情：这是一个发生在骑士精神盛行的中世纪的故事。

　　年轻英俊的小伙子威廉·撒切尔出身于法国的平民家庭，他从儿时起就苦练剑术和马术，一直梦想能成为一名威风的骑士。

无奈当时社会等级森严，平民与贵族之间有着一道难以跨越的鸿沟，成年的威廉只能给一名真正的贵族骑士当侍从。

　　也许是苍天有眼，赐给了威廉一个难得的机会：在一次马上长枪比武中，他的主人在场间休息时突然意外死去，于是威廉穿上主人的铠甲，骑上他的坐骑，冒名顶替赢得了这场比赛。

捧着胜利的奖杯，一个实现童年梦想的计划出现在威廉的脑海中，他决定继续冒充自己的主人参加在伦敦举行的世界骑士锦标赛，通过赢得比赛使自己成为一名真正的骑士。

在好朋友罗兰的陪同下，威廉起程了。

　　途中，威廉和罗兰遇到了种种麻烦和危险，也结识了形形色色的人：愣头愣脑的瓦特、铁匠姑娘凯特、还有无名的作家杰弗里·乔叟。

在这些人的通力帮助下，威廉的贵族身份被伪装得天衣无缝，他顺利地进入了大赛。

　　但取得比赛最后的胜利可就不是一件容易的事情了，威廉不仅要和众多武艺高超的对手较量，还要时刻提防自己的假身份被心怀不轨的人拆穿。

最终威廉不但打败了邪恶的对手，赢得了比赛的胜利，还赢得了一位美丽的贵族女子的芳心。

我的看点：1、希斯 莱吉尔他还曾经是断背山里的“深情小攻”、蝙蝠侠前传里的“变态小丑”我喜欢他 比喜欢其他会演戏、有阳光笑脸的坏男人更甚他有好看的眼睛和嘴唇 他的两部戏 一个和女人接吻、一个和男人接吻的那两部 分别获得和提名MTV电影奖的最佳接吻奖还有就是 他死了 而不是老了我很残忍的相信 这是好结局2、很现代的视角和歌舞音乐这片子有太多的现代元素了：发型、服装、语言以及女权意识的觉醒、对宗教的挑战和玩味、竞技体育和地位意义 让人觉得这中世纪的故事特近特亲切 尤其是 音乐和舞蹈的设置 每次看 我都从片头的“we will rock you”就开始笑 一直笑到结尾3、对白里面有不少精彩的话令我印象深刻的有一情节是 威廉给乔瑟琳写情书 众伙伴都勾起往日情思 献出自己最中意的句子 使得情书大获成功那封情书真是太好听了：　　威廉：不知不觉，我已经一个月没见过你了，这期间，我看过新月、我看过日出日落，却全无你的美丽容颜。

我的心碎了，细小的碎片能穿针引线。

我像太阳思念花朵般思念你，见不到你我如同身处寒冬……电影不就是娱乐的么 不管怎么说吧 这片子挺可爱的 很适合不爱动脑子的所谓8090后的花痴们看 比如我 完毕

这配乐真是服了，什么玩意？

一点都不搭好嘛！

剧情也是看了开头就知道结局的老套玩意。

不过作为一部励志电影看的挺热血的。

配角演的还行，道具方面还算是下了点功夫！

只值两颗星！

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开头那首we will rock you让我对这部片子一下子产生了好感。

貌似自从看过BBC的梅林传奇之后，我对那个时代骑士的故事都很有好感。

电影中所有的插曲都很现代化，故事不算很新颖，但让人轻松愉快。

总之我觉得挺好看。

约瑟琳的矫情和反复无常真心让我和片中的男人们都无语了。

相比较而言，我还是更喜欢那个铁匠姑娘。

但仔细想想，这的确夸张又贴切地表现出一个陷入爱情中的女人患得患失反复求证的心理。

希斯莱杰笑起来很有特色，他高兴的时候，笑纹从嘴角一直延伸到耳际。

在舞会上潇洒随性跳舞的样子实在是耀眼。

令我惊讶的是艾德玛赢过威廉时，乔嫂及时制止了他们冲动的手下，然后为胜利者鼓掌。

乔嫂实在是朵奇葩，一开口就能说出又轻佻又引人深思的话；赌博输光了衣服见人丝毫不觉尴尬；眼珠一转嘴角一挑就是一个馊主意；我太喜欢他拿着木棍在木桶上念念有词打节拍的场景了。

严重的美国式商业片，主要它的喜剧元素其实可以有很多的，但是没有发挥出来，开头的当代西方球迷爱做的“波浪”及随歌击掌的强烈节拍（那首歌挺熟悉的，就是忘记叫做什么名字），如果延续开头的恶搞，而要是弄成一部轻微恶搞的片子其实是一部不错的喜剧片哦。

至于那些喜欢看厚重的史诗巨片的就不用看这部了，刚开始我也以为这是一部讲述欧洲古代的史诗片汗还有，dvd版写完字幕后还有一个搞笑场景，大家别漏看了哦

很有意思的一部片子现代与古典的结合一部骑士神话也是童话也是一段爱情故事一个骑士+一个诗人+一个忠实的朋友赢得了一个美女的心呵呵